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Презентація на тему:
Міський, провінційний, приміський простори

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Міський, провінційний, приміський простори

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Презентація по слайдам:

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Література й урбанізація Місто, провінція, передмістя: що на роздоріжжі?

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План лекції Міський, провінційний, приміський простори – основні характеристики Едіт Вортон і проблема зміни Драйзерівська “Сестра Керрі” – новий американський роман Синклер Льюїс – великий реформатор Форма доцентрового роману в американській літературі

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Урбаністика ідентичності Фрагменти-функції-ідентичності Тожсамість виробнича і тожсамість домашня Методи утримання цілісності Я

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Рустикальність ідентичності Циклічність Плинність Природність Включеність у громаду Моральність успіху

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Передмістя Шалені домогосподарки? Перехідний простір Створена публічність Потреба подібності Дорога до місця праці

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Age of Innocence, Edith Wharton Ностальгія Зміни - сталість Однаковість – інакшість “Нова пристойність” Іронія

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"In reality they all lived in a kind of hieroglyphic world, where the real thing was never said or done or even thought, but only represented by a set of arbitrary signs; as when Mrs Welland, who knew exactly why Archer had pressed her to announced her daughter's engagement at the Beaufort ball (and had indeed expected him to do no less), yet felt obliged to simulate reluctance, and the air of having her hand forced, quite as, in the books on Primitive Man that people of advanced culture were beginning to read, the savage bride is dragged with shrieks from her parents' tent."

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"The persons of their world lived in an atmosphere of faint implications and pale delicacies, and the fact that he and she understood each other without a word seemed to the young man to bring them nearer than any explanation would have done."

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"There were certain things that had to be done, and if done at all, done handsomely and thoroughly; and one of these in the old New York code, was the tribal rally around a kinswoman about to be eliminated from the tribe."

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Innocence Inexperience vs. Unawareness Елен – Арчер – Мей як види пристойності Стара “нова пристоність” – Місіс Мінгот

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Соціальний атом Транзитна фігура

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“Сестра Керрі”

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Скандали роману Тематичний прорив й американський міф; Позиція автора

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When Caroline Meeber boarded the afternoon train for Chicago, her total outfit consisted of a small trunk, a cheap imitation alligator-skin satchel, a small lunch in a paper box, and yellow leather snap purse, containing her ticket, a scrap of paper with her sister's address in Van Buren Street, and four dollars in money. It was in August, 1889. She was eighteen years of age, bright, timid, and full of the illusions of ignorance and youth. Whatever touch of regret at parting characterised her thoughts, it was certainly not for advantages now being given up. A gush of tears at her mother's farewell kiss, a touch in her throat when the cars clacked by the flour mill where her father worked by the day, a pathetic sigh as the familiar green environs of the village passed in review, and the threads which bound her so lightly to girlhood and home were irretrievably broken.

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To be sure there was always the next station, where one might descend and return. There was the great city, bound more closely by these very trains which came up daily. Columbia City was not so very far away, even once she was in Chicago. What, pray, is few hours--a few hundred miles? She looked at the little slip bearing her sister's address and wondered. She gazed at the green landscape, now passing in swift review, until her swifter thoughts replaced its impression with vague conjectures of what Chicago might be.

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Характкристика персонажа Caroline, or Sister Carrie, as she had been half affectionately termed by the family, was possessed of a mind rudimentary in its power of observation and analysis. Self-interest with her was high, but not strong. It was, nevertheless, her guiding characteristic. Warm with the fancies of youth, pretty with the insipid prettiness of the formative period, possessed of a figure promising eventual shapeliness and an eye alight with certain native intelligence, she was a fair example of the middle American class--two generations removed from the emigrant. Books were beyond her interest--knowledge a sealed book. In the intuitive graces she was still crude. She could scarcely toss her head gracefully. Her hands were almost ineffectual. The feet, though small, were set flatly. And yet she was interested in her charms, quick to understand the keener pleasures of life, ambitious to gain in material things. A half-equipped little knight she was, venturing to reconnoitre the mysterious city and dreaming wild dreams of some vague, far-off supremacy, which should make it prey and subject--the proper penitent, grovelling at a woman's slipper.

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Фінал-не-апофеоз Sitting alone, she was now an illustration of the devious ways by which one who feels, rather than reasons, may be led in the pursuit of beauty.  Though often disillusioned, she was still waiting for that halcyon day when she would be led forth among dreams become real.  Ames had pointed out a farther step, but on and on beyond that, if accomplished, would lie others for her. It was forever to be the pursuit of that radiance of delight which tints the distant hilltops of the world.

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Oh, Carrie, Carrie! Oh, blind strivings of the human heart! Onward onward, it saith, and where beauty leads, there it follows.  Whether it be the tinkle of a lone sheep bell o'er some quiet landscape, or the glimmer of beauty in sylvan places, or the show of soul in some passing eye, the heart knows and makes answer, following.  It is when the feet weary and hope seems vain that the heartaches and the longings arise.  Know, then, that for you is neither surfeit nor content.  In your rocking-chair, by your window dreaming, shall you long, alone.  In your rocking- chair, by your window, shall you dream such happiness as you may never feel.

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Що вас збуджує?

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Пристойність повсякдення – правила вбиральні Родинна комунікація

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Що за вікном?

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The Babbitts’ house was five years old. It was all as competent and glossy as this bedroom. It had the best of taste, the best of inexpensive rugs, a simple and laudable architecture, and the latest conveniences. Throughout, electricity took the place of candles and slatternly hearth-fires. Along the bedroom baseboard were three plugs for electric lamps, concealed by little brass doors. In the halls were plugs for the vacuum cleaner, and in the living-room plugs for the piano lamp, for the electric fan. The trim dining-room (with its admirable oak buffet, its leaded-glass cupboard, its creamy plaster walls, its modest scene of a salmon expiring upon a pile of oysters) had plugs which supplied the electric percolator and the electric toaster.   In fact there was but one thing wrong with the Babbitt house: It was not a home.

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Автомобіль Поезія і трагедія Любов і героїзм

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Чим вірш відрізняється від рекламного оголошення?

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DO YOU RESPECT YOUR LOVED ONES? When the last sad rites of bereavement are over, do you know for certain that you have done your best for the Departed? You haven’t unless they lie in the Cemetery Beautiful LINDEN LANE the only strictly up-to-date burial place in or near Zenith, where exquisitely gardened plots look from daisy-dotted hill-slopes across the smiling fields of Dorchester. Sole agents BABBITT-THOMPSON REALTY COMPANY Reeves Building

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Газетний формат тексту Кінематограічний формат роману

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Майбутнє – стандартизація Політичний дискурс у тексті

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Визвольна промова Джорджа Беббіта – маніфест на захист нової пристойності Вортон та заперечення тотальності песимістичних сценаріїв Драйзера

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Доцентровий роман Одна проблема Одна центральна сюжетна лінія Всі другорядні – варінти розвитку центрального сюжету Поетика когерентності Художні засоби для створення цілісності Голос маргінального наратора

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