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Painting of Great Britain

Painting of Great Britain

“Painting with all its technicalities, difficulties, and peculiar ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing.” John Ruskin

“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen” Leonardo da Vinci “Painting is silent poetry, and poetry is painting with the gift of speech” Simonides “A picture is a poem without words” Confucius

“Painting is just another way of keeping a diary.” Pablo Picasso “In painting you must give the idea of the true by means of the false.” Edgar Degas “Painting is easy when you don't know how, but very difficult when you do.” Edgar Degas “Painting is an attempt to come to terms with life. There are as many solutions as there are human beings.” George Tooker

“Painting is a blind man's profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.” Pablo Picasso “Painters are engaged not just in covering a surface with paint, but also in the act of expressing emotion or content that is not sayable in words.” Margaret Peot “For me, painting is a way to forget life. It is a cry in the night, a strangled laugh.” Georges Rouault.

Sir Anthony van Dyck (1599-1641)

Self-portrait, 1621

Samson and Delilah, ca. 1630. A strenuous history painting in the manner of Rubens; the saturated use of color reveals Van Dyck's study of Titian.

A Family Group, c. 1634-35, oil on canvas.

Amor and Psyche, 1638

William Hogarth (1697—1764)

Hogarth's portrait of The Shrimp Girl 1740-1745

Hogarth's Portrait of Captain Thomas Coram, 1740

Marriage à-la-mode, Shortly After the Marriage (scene two of six).

Sir Joshua Reynolds (1723–1792)

Charles Lennox, 3rd Duke of Richmond, 1758

Robert Clive and his family with an Indian maid, 1765

Colonel Acland and Lord Sydney, The Archers, 1769.

Lady Caroline Howard, 1778

Jane, Countess of Harrington, 1778

Elizabeth, Lady Amherst, 1767

Thomas Gainsborough (1727–1788)

Landscape in Suffolk (1748)

Colonel John Bullock (c. 1780)

The Painter`s Daughters Chasing a Butterfly, (1756)

Lady in Blue (c. 1770)

Mr. and Mrs. Robert Andrews, (c. 1748-1750)

Joseph Mallord William Turner (1775–1851)

A View of the Archbishop's Palace, Lambeth. This watercolour was Turner's first to be accepted for the Royal Academy's annual exhibition in April 1790, the month he turned fifteen.

Rain, Steam and Speed - The Great Western Railway (1844)

Chichester Canal's vivid colours may have been influenced by the eruption of Mount Tambora in 1815.

The Fighting Temeraire tugged to her last berth to be broken up, 1839

The shipwreck of the Minotaur, oil on canvas

John Constable (11 June 1776 – 31 March 1837)

Wivenhoe Park (1816)

Weymouth Bay (c. 1816)

Salisbury Cathedral

Seascape Study with Rain Cloud (c.1824)

National Gallery

Vincent van Gogh, Sunflowers (1888).

Georges-Pierre Seurat, Bathers at Asnières (1884)

Johannes Vermeer - A Young Woman standing at a Virginal (1670-1672)

Rembrandt, Belshazzar's Feast (1635)

Leonardo da Vinci – The Virgin and Child with St Anne and St John the Baptist (1499-1500)

Titian - Bacchus and Ariadne (1520-23)

Michelangelo - The Virgin and Child with Saint John and Angels (The Manchester Madonna) (1497)

The original Tate Gallery, now renamed Tate Britain

National Portrait Gallery

Inside the National Portrait Gallery